DAW Style Upholstered - Patchwork - Patchwork
THE PRODUCT
The DAW Style Upholstered Chair is a timeless and versatile piece that combines iconic mid-century design with modern comfort. Inspired by the classic Eames DAW (Dining Armchair Wood) chair, this version features a comfortably padded seat and backrest, upholstered in high-quality fabric or leather, offering an enhanced level of comfort without compromising the chair's sleek, minimalist aesthetic. The gently curved, molded seat is supported by a sturdy wooden base, often crafted with the signature "Eiffel tower" metal framework, creating a perfect balance between organic warmth and industrial elegance. Ideal for dining rooms, kitchens, or offices, the DAW Style Upholstered Chair brings both style and functionality to contemporary spaces, making it a timeless addition to any modern interior.
THE DETAILS
- SKU: DAWSYUPW
- Body: Patchwork Upholstery
- Legs: Light Wood Leg
- Warranty: 5 Years
- Style: Modern
- Assembly: Base to Seat
- Instructions: Included
- Care: Damp Cloth
- Clean: Spot Clean
- Dimension: Width 64cm, Depth 61cm, Height 83cm
- Seat Height: 46cm
- Packing Dimension: Width 65cm, Depth 65cm, Height 60cm
- CBM: 0.254 Weight: 9.5kg

ABOUT THE DESIGNER
Charles Eames
Charles, 1907-1978 (United States) - Ray, 1912-1988 (United States)
Charles Eames was an American designer and innovator who pioneered new techniques, such as the fibreglass and plastic resin moulding and wire mesh frames. He usually worked alongside his wife, Ray, though he is often credited alone. In the 1940s, the designers began focusing on the new plastics and were excited by the properties the material held. They were able to mould the plastics into organic shapes that followed the shape of the body. This discovery led to a whole new look in furniture that perfectly captured the spirit of the times. The couple’s most iconic designs include the DAR chair, the DSR Dining Chair, the RAR Rocker, the DSW Dining Chair, the EA 108 Office Chair and the Wire Base Table. Many of these were first presented at the New York Museum of Modern Art’s Low-Cost Furniture Design Competition in the late 1940s.
"The details are not the details. They make the design."
